A newspaper clipping. A Polaroid photo. A tube of chapstick. These are just a few of the objects an audience member might find in a mailed package as they gear up to explore the nation’s capital and ...

ATLANTA: After a year of construction, the Alliance Theatre has announced the three youth and family productions that will open the new Goizueta Stage for Youth and Families, marking an investment to ...

A monthly gathering produced by the American Playwriting Foundation channels stories of the U.S. immigration system with the unique theatrical urgency of in-ear verbatim technique.

WASHINGTON, D.C.: In a new FY26 appropriations bill proposal for the interior, environment, and related agencies released today, the House Appropriations Interior Subcommittee recommended 35 percent ...

A hybrid between the radio drama of yesteryear and the audiobook of today, this offering will transport listening audiences to a time when the whole family would gather around the radio to experience ...

NEW YORK CITY: Theatre Communications Group (TCG) has announced the 2025 grant recipients in the THRIVE!: Uplifting Theatres of Color program. Developed and administered by TCG in collaboration with ...

While some companies can quickly plug the holes in their budgets for now, the ripple effects of across-the-board cutbacks to federal arts funding may be long-lasting and felt by the most vulnerable.

Many theatres are rethinking their board structure to address inequities and mission drift. But can new ideas break through?

Arts organizations, including dozens of theatre companies, had NEA grants withdrawn or terminated late last week, and leadership resignations at the endowment bode ill.

The administration’s 2026 budget comes at a time when the future of NEA staff and grant programs remains in doubt. WASHINGTON, D.C.: President Trump has released a 2026 budget proposal which includes, ...

Orchestrator Doug Besterman (‘Death Becomes Her,’ ‘Boop!,’ ‘Smash’) and music director/arranger Marco Paguia (‘Buena Vista Social Club’) compare notes.

In one of the first few scenes of Lisa D’Amour’s wild new play Frozen Section, a nonbinary grocery clerk named Sage chats about their gender nonconformity with a customer who’s more concerned that she ...